Phoenix grain in period of chow tai decoration carving and dragon _ figurine skills have the same status5

Core tip: carving decoration pattern and style are two characteristics of decorative carving an integral part of the pattern cut system suitable for or not on the final decoration carving effect play an important role. Decorative carving carving decoration pattern and style are two characteristics of decorative carving an integral part of the pattern cut system suitable for or not on the final decoration carving effect play an important role. Decoration carving decorative design mainly includes the god beast abstract patterns and plant flowers deformation pattern two kinds. God beast abstract patterns is based on people's imagination, borrow the real animal processing out the some characteristics of the image of exaggeration and deformation of the grain. Its animal seems rather than with actual, real animal image as a decoration pattern in Chinese ancient jade carving rather rare. Such patterns are mainly the beast, kui, dragon, wind lines, etc. Those lines in the original period of liangzhu culture, jade cong, jade y-shaped, jade articles, jade conical device is on the adornment such as sculpture, has formed a clear decoration pattern characteristics. This kind of grain with eyes, nose, tongue, mainly for the face image. Those lines in the chow period of bronze ware reached its zenith, but as a jade decoration pattern on jade card only occasionally cut system, and compared with the liangzhu, chow tai bronze on the similar patterns, by the method of line moment hand cut system abstract and brief, thereafter, gradually disappear. During the Ming and qing dynasties antique jade beast grain main imitation since strictly on the bronze ware, therefore, to mention decoration carving beast grain appearance, is mainly refers to chow before grain, especially in the Chinese ancient jade carving art almost became a synonym for liangzhu jade. Kui, therefore, dragon, although the name is different, but the overall look is odd beast head and type of snake long body, therefore the head is like a tiger, while real talent, the dragon has the tiger, the characteristics of cattle, eagles, snakes and other animals. Therefore, kui is very popular in the spring and autumn period and the warring states period to the han period, especially therefore grain most often used in jade ware, such as jade Juan. Han dynasty dragon focuses on decoration carving contour line, image is given priority to with abstract lines, the jade, jade Juan, cut of dragon or folding system on the wek-jin crag, or concise and easy, cut fine meticulous system, have a lot of momentum. After the tang and song dynasty royal dragon become exclusive, therefore, the modelling tends to be stable, jade belt above board dragon though cut precise system, excellent decorative effect, but mainly display power status is given priority to, art on the free before than the han. Chicken feathers are people might think magnificent birds. Phoenix grain in the period of chow tai decoration carving and the dragon has the same status, mainly by the method of groove cut system on the jade, jade huang, dragon wind sometimes common combination into a unique decorative carving form, characterized by line decoration gorgeous, elegant. But grain after chow was gradually out of the decorative patterns of the sculpture, strictly speaking, after the tang and song dynasty, though there are lines, fung said wind wall grain, grain, but due to use the technique of realism, more closer to the reality of the birds, therefore, from the perspective of decoration pattern as chow grain form was strong. God beast grain as decorative carving patterns, although have very strong adornment, but with the social and historical process of development, more and more emphasis on the connotation of the content itself, in every era to the added a deep symbolic meaning, make its declared the specific power and position, therefore, tend to value its content is the subject rather than modelling form, this and other grain content. Deformation pattern of flowers and plants and flowers pattern is to branches and leaves and flowers in the form of a certain sense of decoration pattern was formed by combination of deformation. Plants and the utilization of decoration pattern, produced in the tang and song dynasties, and thus the potential to become after the content of the pattern of the main status. Contents and forms of the ornamentation of a lot of flowers and plants, artificially in keeping the natural characteristics of flowers and plants on the basis of adornment of exaggeration and deformation processing, or use a separate patterns, or suitable for grain form, space and shape has a unique decorative pattern in the form of rhythm. Emergence of flowers and plants pattern is popular in all walks of life, it is because of its close to life, at the same time, it can be natural beauty into a good fortune, happiness and good meaning expression, is easy to be accepted by secular aesthetic thought, therefore, such patterns in modelling the decorative relaxed and lively, have life of secular aesthetic interest. ( Disclaimer: the article I net reprint, aims to provide readers with more news and information. The content involved advice does not constitute investment, consumption, only for readers reference. )