Asia Pacific art show in New York: the travel to the past

Core tip: the annual art feast 'Asia week' ( 亚洲周) Curtain slowly in New York, like other show, however, this year's Asian art is no prestige of the past. The annual art feast 'Asia week' ( 亚洲周) Curtain slowly in New York, like other show, however, this year's Asian art is no prestige of the past. New York international Asian art fair ( 纽约国际亚洲艺术博览会) Has an, instead, was held in the Empire State Building in New York in the Asia Pacific art show, 纽约艺术太平洋亚洲展示) 。 Nonetheless, specializing in the local Asian art gallery is still trying to a repeat of the past. 16 dealers is made up of a temporary New York's upper east side in New York Asian art agent union ( 纽约上东区的亚洲艺术品经销商) , and organized a series of exhibitions. The closing of Asia Pacific art show in New York on Wednesday is still the most attractive. In view of the previous exhibition site has been occupied by military departments, the art had to move to 68 slightly narrow booth. Exhibitors are from the United States, Europe and the far east in this showed a wide variety of Asian art: bronze statue of a small, wood, porcelain, boats, jade carving, screen, miniatures and textile, etc. , even including contemporary painting and photography works, the latter is usually displayed on specific booth alone. London S. Marchant & Son booth is very conspicuous. It exhibited a series of extremely rare porcelain in the Ming and qing dynasties, including the yongzheng years of qing dynasty royal tureen. The international exposition of one of the four major exhibitors Douglas Dawson is also come through, it exhibits an orderly, has a long history, comparable to the museum's collection. In the bright grey booth displays of Buddha, etc all kinds of statues, of which a large bronze is striking, it comes from the early 16th century Chinese temples. Thomas Murray ( 托马斯·穆雷) Exhibits are mainly textiles, he will be different with original culture fuses in together, the Indonesian island of sulawesi women's classical model and 18 th-century Portuguese fabric, Japan, and Himalayan mask of bring out the best in each other. Joss graham ( Joss Graham) Also famous for its textiles, its style tend to be small handicraft in the bazaar, such as pink and yellow and white Rajasthan India head scarf. In the dyeing process of clearance, the workers will fine cotton twine on the rolled strip, thus forming the headscarf, shaped like a police rank unique texture. Particularly striking is Jon Eric ries ( Jon Eric Riis） Exhibition of Tibetan robes, feather and other Chinese costumes. Mr Rees collection inspired contemporary artist, even the latter design beaded embroidery gowns with rich, booth attracted many eyeballs for rees, hang on the wall of a jacket is painted in the skull motifs, becomes very chic. Other have visual impact exhibits include the 18th and 19th century Chinese monk's robes, depicting the jade emperor and unicorn myths animals. Axel Mitchell ( Axel Michels） At the Japanese samurai armor is daunting. It comes from the beginning of the edo period, by bending the golden horn, white hair and goatee and a helmet. Two other from heian period ( 794 - 1185). The ancient wood like one of the oldest art on this exhibition. Placed in the glass case, by contrast, small artwork seems not so dramatic, but its collection value is not worse than the former. They include Asian art studio ( 亚洲艺术工作室) Dragon house (colored glass snuff bottle, San Francisco 龙家旧金山) The shrine in China and Mongolia, mark walter berg ( Mark Walberg） The jade carving and jade dragon and so on.