The first chapter & have spent       The development of stone carving, 6) _ figurine skills

Core tip: five generations of stone into a period of five dynasties, separate regime, the central plains culture of great damage, it is difficult to imagine a breakthrough development of art, so the five dynasties stone basically maintained the tang five dynasties stone into a period of five dynasties, separate regime, the central plains culture of great damage, it is difficult to imagine a breakthrough development of art, so the five dynasties stone basically maintained realism fine magnificent tang dynasty style. The border region and jiangnan less affected by natural disasters, economic prosperity, and the ruling class advocate art prosperous, so in the creation of subject choice, and even the style, techniques and aesthetic temperament and interest, are better than the original more creativity and development. Five generations buddhist grottoes is short, such as building stone carvings of the creation of a natural also changed, can be only the reservation after previous glory only qixiashan buddhist architecture stone carving art. Qixia mountain buddhist temple built in the five dynasties has no deposit, the remaining stupas built in south down period, about 18 meters high monument, the colored marble octagonal stupa five layer. Magnificent modelling of the tower, the composition also created a new form of dense canopy tower in China. Its base around the railing, to cover its lotus, 须弥座 and AngLian under the tower, base and 须弥座 image highlight, and decorated with ornate vulture act the role ofing, this is the dense eaves tower not seen in the past. Carved sculpture achievement of the tower, which is reflected in depicting the story of Buddhism relief on modelling, the vulture birth figure of Buddha of northwest Kentucky, in addition to travel, fall the magic, a word, nirvana, such as Buddha reliefs theme of the story. The picture content enrichment, representational numerous rich, style exquisite dainty, every corner column and god Wang Helong high-relief, vulture into two door before and after the tower shape, respectively with manjusri, samantabhadra, two pop king, two kernel image, upward contraction tower carved niches, carving a sitting Buddha in the recess. This fully embodies the were sarira stone tower, was the portrayal of jiangnan Buddhism is deeply rooted in the hearts of the people. Due to the frequent change of dynasty and the war, people had to will not be taking the mood, in the religious vision of the kingdom of heaven. Were for stone reliefs in the Buddha's story, is a lead from the hustle and bustle of the world people journeyed to detachment void state image. Bring along a disciple of six bring shishi