Pottery collection should bear in mind the lessons _ figurine skills

Core tip: pottery is one of the largest number of species in the cultural relic, so to speak. In terms of pottery itself, mostly worthless staple goods, only a few such as cement, eaves tiles, qin and han dynasties, the northern wei dynasty, han, tang figurines of people and pottery is arguably one of the largest number of varieties of cultural relics. In terms of pottery itself, mostly worthless staple goods, only a few such as cement, eaves tiles, qin and han dynasties, the northern wei dynasty, the han, tang warrior figurines of people and animals, as well as painting, fine pottery and can represent a certain period, has the research value of pottery worthwhile. Secondhand goods can meet most of the clones on the market now, there are a lot of hobby friends want to have the rule of the collection, but the very high level of fraudulent, lane is bad to have the possibility of being. Since 1993, began to appear some of Beijing's antique market imitation pottery, mostly imitation figurines of people and the northern wei dynasty and the han and tang dynasties qin and han dynasties eaves tiles, brick, etc. In order to setup, coated with cement. Later reports, said some institutes in the rescue of flea market a large number of unearthed terracotta figures such as cultural relics, these days, in the same paper and see anyone to disclose a Tibetan friend and institutes have deceived. This is a wake-up call to us, the author thinks that the friends of intentional collect pottery, must learn some repair, replication, common sense, not only from books, we must begin to do pottery, plastic on a few pieces of pottery figurine, turned into a mold, take off a few blank to burn out, do the old, look like, also can diy repair a few pieces of broken pottery, adhesive several figures. Learn some useful knowledge from there, and then look at things, were tricked into may be much smaller, also improves your learning. Remind my Tibetan friend the following five: first, those who sold by heap of pottery mostly fake, can think of it, the bulk of the ancient warrior who is true, how many the tomb that was stolen? Each tomb unearthed and how many pieces? Second, the ancient tomb less the same, every a mold, the theory of pile of selling is a fake. Three complete, figurines unearthed from the less, if after bonding repair, is likely to be genuine. If is large quantities of complete, and no matter s, its modelling appearance is the same old rust color and soil, the possibility of false is very big. Fourth, if both inside and outside brush with mud, which is the purpose of camouflage. If it is the truth, he is sure to brush was unearthed mud down, afraid of you looking for trouble. Five, the observation of pottery style, s, quality of a material, such as some made with the modelling of tang sancai pottery, and should not be pastel coloured drawing or pattern, should not be red clay burned red pottery, should not be burned into pottery pottery, and so on. It is said that imitation pottery in most of the market from the suburbs of luoyang, henan, there is also a part from shaanxi and other provinces. Look from the appearance of terracotta figures, mostly with real figures into the mold, a batch made with yellow, after the kiln firing, red ceramics, pottery is the burning smoke or water spray, make it black. Later on from the kiln enamel, some with HongTuZi black YanZi spray, spray a layer of top and cement particle size, to disguise its do old traces. If these imitation pottery as home furnishings, or can buy, but to buy as arts and crafts. So many current collectors, everyone wants to buy genuine, which have so many genuine? The author thinks that should advocate the generic boutique collection, if they don't boot, cultural relics, more can't satisfy the needs of collectors. If you like imitation, when buying, should pay attention to the following aspects: firstly, the model, which period, is rolling over on the original copy or according to the field of imitation. Some modelling in the history of no, just a figment of imitators. Look at the red clay or pottery or coloured drawing or pattern. Second, the gently knock on, listen to sound, look at the temperature, for cracks. Three, the mud brushes, see if there was the damage. Four, the key depends on the faces of the figures, the place such as hand, foot, is doing fine.