Summary: we want to understand the difference between technology and art in the shape of a face, also want to know the bones, muscles, center of gravity, dynamic, false or true, weight, and so on, only technical language is not art.
Release we want to understand the difference between technology and art in shape also want to know the bones, muscles, block surface and center of gravity, dynamic, false or true, weight and so on, only technical language is not art.
Release the constraints of human body words can rapidly.
A, release the constraints of human body words can rapidly.
Numerous vocabulary to facilitate our understanding of the human body each part of the structure, also complicate the problem we also put our chained down, don't put the body to break the chains as from many parts of the body, can take it as a tree, a tree ginseng or a simple form, the image can be seen as a simple potatoes, sweet potatoes, such things simple, you don't fall into numerous human body words to put together a 'parts', and focus on the object vivid personality, with his keen sensibility to sense objects, present unique feeling, in this way can work vividly, speed can be improved, too!
Through constant practice, I believe you also can rapid!
In the past when we first started to learn small sculpture is move down inside, but to a certain stage should go toward outside walk.
This as Li Keran said 'to go in capability to play one hundred times, one hundred times more to the capability to' learn everything must first learn to break out again.
Back to the outside of the forests to see the whole forest 'small sculpture teaching new concept' concept # 2: back to the outside of the forest to see the whole forest just began to learn art need to master a certain technology, and want to learn pure solid, but just think that is enough, can enjoy the lying on a hotbed of technology, the result just the craftsmen of master certain skills!
From the artist's standard is still far from!
An artist's standard should be found himself, formed its own unique art language, and have their own distinctive artistic features.
From both traditional and new, create own identification has its own 'dialect' the art of language.
Three, only a glimpse of netted object can do small sculptures.
If you want to do small sculptures must learn the correct observation method, the object as a whole rather than watch 'broken' object.
A good work is necessarily the overall atmosphere, if not netted object, you do work and must your eyes observe the result is the same.
Don't use eyes to make very overall work together, it is impossible to do without the correct observation method is the small sculpture.
Four, don't copy the body and should do their own feelings.
His eyes to the images of simple object, rather than to mobilize all physical and spiritual feeling to do small sculptures.
The former as the broadcast, the latter is the art-house movie;
The former is just like a camera faithful representation, while the latter is to mobilize the artist keen feeling, individual character and unique aesthetic emotion to fusion.
Don't copy the body should do her own feelings.
We are really powerful can use heart to feel the object's essence, gas, god, to grasp the character of the object, in the hands of the plastic mud down the heart to go direct purpose, free from all bondage of technology, to show your true feelings.
Such work can reflect the unique experience you have ever felt, true, have you moved in, also can really impress people!